David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jonathan Jenkins Ichikawa
Jack Alan Reynolds
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Cambridge University Press (1998)
How do pictures represent? In this book Robert Hopkins casts new light on an ancient question by connecting it to issues in the philosophies of mind and perception. He starts by describing several striking features of picturing that demand explanation. These features strongly suggest that our experience of pictures is central to the way they represent, and Hopkins characterizes that experience as one of resemblance in a particular respect. He deals convincingly with the objections traditionally assumed to be fatal to resemblance views, and shows how his own account is uniquely well-placed to explain picturing's key features. His discussion engages in detail with issues concerning perception in general, including how to describe phenomena that have long puzzled philosophers and psychologists, and the book concludes with an attempt to see what a proper understanding of picturing can tell us about that deeply mysterious phenomenon, the visual imagination.
|Keywords||Representation (Philosophy Image (Philosophy Perception Experience Aesthetics|
|Categories||categorize this paper)|
|Buy the book||$42.00 used (58% off) $91.80 new (9% off) $97.00 direct from Amazon Amazon page|
|Call number||B105.R4.H67 1998|
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Citations of this work BETA
Louise Richardson (2013). Sniffing and Smelling. Philosophical Studies 162 (2):401-419.
Robert Hopkins (2012). Factive Pictorial Experience: What's Special About Photographs? Noûs 46 (4):709-731.
Dustin Stokes (2009). Aesthetics and Cognitive Science. Philosophy Compass 4 (5):715-733.
Evan Thompson (2007). Look Again: Phenomenology and Mental Imagery. [REVIEW] Phenomenology and the Cognitive Sciences 6 (1-2):137-170.
Bence Nanay (2011). Perceiving Pictures. Phenomenology and the Cognitive Sciences 10 (4):461-480.
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Robert Hopkins (2010). Inflected Pictorial Experience: Its Treatment and Significance. In Catharine Abell & Katerina Bantinaki (eds.), Philosophical Perspectives on Picturing. Oxford University Press
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Lambert Wiesing (2011). Pause of Participation. On the Function of Artificial Presence. Research in Phenomenology 41 (2):238-252.
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