Pictures, Phenomenology and Cognitive Science
The Monist 86 (4):653-675 (2003)
| Abstract | This paper argues that an account of picturing in terms of the experience it sustains, in particular an experience of resemblance in outline shape, is superior to Dominic Lopes’, view, on which pictures engage our recognitional capacities for the objects they depict. Lopes’ position fails to do the work proper to a philosophical theory of picturing. Lopes argues that the experienced resemblance view pays insufficient attention to empirical work, and that it incurs unwelcome empirical commitments. I refuse the commitments Lopes offers, and suggest that the view is more open to the empirical than he thinks | |||||||||
| Keywords | Depiction Cognitive Science D.M.Lopes Flint Schier Seeing-in | |||||||||
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Robert Hopkins (2008). Reasons for Looking: Lopes on the Value of Pictures. Philosophy and Phenomenological Research 77 (2):556-569.
Dominic Lopes (1996). Understanding Pictures. Oxford University Press.
Robert Hopkins (1997). El Greco's Eyesight: Interpreting Pictures and the Psychology of Vision. Philosophical Quarterly 47 (189):441-458.
Robert Hopkins (2010). Inflected Pictorial Experience: Its Treatment and Significance. In Catharine Abell & Katerina Bantinaki (eds.), Philosophical Perspectives on Picturing. Oxford University Press.
Flint Schier (1986). Deeper Into Pictures: An Essay on Pictorial Representation. Cambridge University Press.
Dominic M. McIver Lopes (1999). Pictorial Color: Aesthetics and Cognitive Science. Philosophical Psychology 12 (4):415 – 428.
Alberto Voltolini (2009). How Demonstrative Pictorial Reference Grounds Contextualism. Pacific Philosophical Quarterly 90 (3):402-418.
Dan Cavedon-Taylor (2011). The Space of Seeing-In. British Journal of Aesthetics 51 (3):271-278.
Robert Hopkins (2000). Touching Pictures. British Journal of Aesthetics 40 (1):149-167.
Andrew Huddleston (2012). In Defense of Artistic Value. Philosophical Quarterly 62 (249):705-714.
Stephen M. Downes (2009). Models, Pictures, and Unified Accounts of Representation: Lessons From Aesthetics for Philosophy of Science. Perspectives on Science 17 (4):417-428.
Dominic Lopes (1995). Pictorial Realism. Journal of Aesthetics and Art Criticism 53 (3):277-285.
Dominic Mciver Lopes (2004). Directive Pictures. Journal of Aesthetics and Art Criticism 62 (2):189–196.
Dominic M. McIver Lopes (2002). Vision, Touch, and the Value of Pictures. British Journal of Aesthetics 42 (2):191-201.
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