David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Idealistic Studies 40 (1/2):103-115 (2010)
My article utilizes the insights of F. W. J. Schelling’s work on aesthetics to explain the unique appeal of cave painting for people of the Upper Paleolithic,focusing mostly on the caves of Chauvet and Lascaux. Schelling argues that the unique value of artistic practices comes in the way they reconcile agents withtheir deepest ontological contradictions, namely, the tension between biological necessity and human freedom. I argue that the cave paintings of Chauvet andLascaux fit well with Schelling’s approach and his insight that art seeks to reveal the contradictory capacities of self-conscious beings in a state of fundamentalattunement rather than in discordance and disharmony. My contention is that in taking this approach, whereby aesthetic practices engender an intuition of theabsolute identity between nature and mind, we can better explain why the practice of cave painting endured for over twenty-thousand years as one common styleof artistic practice
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Jason J. Howard (2008). Schelling and the Revolution of Paleolithic Cave Painting. Proceedings of the Xxii World Congress of Philosophy 1:103-111.
Rachel Barney & Michael J. Green (2006). Intrinsically Scarce Goods. The Proceedings of the Twenty-First World Congress of Philosophy 2:189-192.
Nicholas Humphrey (1999). Cave Art, Autism, and the Evolution of the Human Mind. Journal of Consciousness Studies 6 (6-7):6-7.
Nigel Wentworth (2004). The Phenomenology of Painting. Cambridge University Press.
Rachel Barney (2008). Eros and Necessity in the Ascent From the Cave. Ancient Philosophy 28 (2):357-72.
Dalia Nassar (2010). From a Philosophy of Self to a Philosophy of Nature: Goethe and the Development of Schelling's Naturphilosophie. Archiv für Geschichte der Philosophie 92 (3):304-321.
Joseph Lyons (1967). Paleolithic Aesthetics: The Psychology of Cave Art. Journal of Aesthetics and Art Criticism 26 (1):107-114.
Peter Warnek (2004). Schelling's Second Sailing. Epoché: A Journal for the History of Philosophy 8 (2):195-214.
Jeffrey Bernstein (2004). Philosophy of History as the History of Philosophy in Schelling's System of Transcendental Idealism. Epoché: A Journal for the History of Philosophy 8 (2):233-254.
Drew M. Dalton (2008). Being and Time for Schelling. Idealistic Studies 38 (3):175-184.
James M. McLachlan (2000). The Mystery of Evil and Freedom. Philosophy and Theology 12 (2):377-396.
Frank Schalow (1997). Traces of Love Inscribed by Deeds: The Question of Immortality and Schelling's Ethics. Journal of Religious Ethics 25 (2):243 - 256.
Mathew A. Foust (2012). Confess Your Contradictions: Schelling, Royce, and the Art of Atonement. Journal of Speculative Philosophy 26 (3):516-530.
Jason Wirth (2004). Mitwissenschaft. Epoché: A Journal for the History of Philosophy 8 (2):215-232.
Added to index2011-01-09
Total downloads4 ( #255,805 of 1,101,578 )
Recent downloads (6 months)3 ( #117,010 of 1,101,578 )
How can I increase my downloads?