David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
The European Legacy 14 (7):857-871 (2009)
This article surveys Filippo Tommaso Marinetti's social utopia from the inception of Futurism until its end during World War II, contextualizing it in relation to the various diffused anarchistic ideologies of European artists and intellectuals. From the second half of the nineteenth century onward radical politics and the artistic avant-garde were in close dialogue. Max Stirner's individual anarchy held a special appeal to modernist artists, including Gabriele D'Annunzio and Marinetti. Marinetti's aim of renovating Italy's cultural and political life initially led him to glorify the destruction of old institutions. At the end of World War I he developed a more or less coherent utopian vision of a new society, based principally on the exaltation of individual freedom and the importance of art. During the Fascist regime, Marinetti abandoned politics and concentrated his efforts on making the Aerofuturism of the interwar years the official art of Fascism, which the Futurists saw as the fulfillment of their “anarchist” dream
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Mark Antliff (2007). Avant-Garde Fascism: The Mobilization of Myth, Art, and Culture in France, 1909-1939. Duke University Press.
Chlöe Houston (2007). Utopia, Dystopia or Anti-Utopia? Gulliver's Travels and the Utopian Mode of Discourse. Utopian Studies 18 (3):425 - 442.
John T. Sanders (1996). The State of Statelessness. In John T. Sanders & Jan Narveson (eds.), For and Against the State: New Philosophical Readings. Rowman and Littlefield.
Ruth Levitas (2008). Pragmatism, Utopia and Anti-Utopia. Critical Horizons 9 (1):42-59.
José Luis Ramos-Gorostiza (2009). Socio-Economic Utopianism in Spain at the End of the Nineteenth Century: La Nueva Utopía by Ricardo Mella. Utopian Studies 20 (1):5 - 39.
Krzysztof Ziarek (2004). The Force of Art. Stanford University Press.
Katia Pizzi (2009). Dancing and Flying the Body Mechanical: Five Visions for the New Civilisation. The European Legacy 14 (7):785-798.
Enrico Cesaretti (2009). Recipes for the Future: Traces of Past Utopias in The Futurist Cookbook. The European Legacy 14 (7):841-856.
Christine Poggi (2009). The Futurist Noise Machine. The European Legacy 14 (7):821-840.
Lucia Re (2009). Mina Loy and the Quest for a Futurist Feminist Woman. The European Legacy 14 (7):799-819.
Added to index2010-07-27
Total downloads29 ( #70,368 of 1,679,331 )
Recent downloads (6 months)4 ( #59,909 of 1,679,331 )
How can I increase my downloads?