Comprehending Anna Karenina
International Philosophical Quarterly 32 (3):285-297 (1992)
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Barrie Paskins (1977). On Being Moved by Anna Karenina and Anna Karenina. Philosophy 52 (201):344-.
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Glenn A. Hartz (1999). How We Can Be Moved by Anna Karenina, Green Slime, and a Red Pony. Philosophy 74 (4):557-578.
Colin Radford & Michael Weston (1975). How Can We Be Moved by the Fate of Anna Karenina? Aristotelian Society Supplementary Volume 49:67 - 93.
R. Stecker (2011). Should We Still Care About the Paradox of Fiction? British Journal of Aesthetics 51 (3):295-308.
Monroe C. Beardsley (1976). Philosophy and the Novel: Philosophical Aspects Of_ Middlemarch, Anna Karenina, The Brothers Karamazov, A la Recherche du Temps Perdu, _and of the Methods of Criticism (Review). Philosophy and Literature 1 (1):101-106.
Lawrence J. Schneiderman, Todd Gilmer, Holly D. Teetzel, Daniel O. Dugan, Paula Goodman-Crews & Felicia Cohn (2005). Dissatisfaction with Ethics Consultations: The Anna Karenina Principle. Cambridge Quarterly of Healthcare Ethics 15 (01).
R. M. Sainsbury (2008). Intensional Transitives and Presuppositions (Transitivos Intensionales y Presuposiciones). Crítica 40 (120):129 - 139.
Umberto Eco (2009). On the Ontology of Fictional Characters. Sign Systems Studies 37 (1-2):82-97.
Marta Olivetti Belardinelli & Rosalia Di Matteo (2002). Is Mental Imagery Prominently Visual? Behavioral and Brain Sciences 25 (2):204-205.
Alan Paskow (2004). The Paradoxes of Art: A Phenomenological Investigation. Cambridge University Press.
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