In Defense of Artistic Value
Philosophical Quarterly 62 (249):705-714 (2012)
| Abstract | Is there a distinctively artistic value that works of art have over and above their aesthetic value? No, Dominic McIver Lopes claims in a recent paper. He canvases various non-aesthetic options for underwriting artistic value. Yet he dispenses too quickly with a promising account of artistic value that would look to the artwork's status as an achievement as the basis of its value: On this achievement-based view, the value of the work of art as art (that is, its distinctively artistic value) consists in the artistically-relevant achievement that it itself constitutes. While I will not seek to vindicate the achievement view itself, I do want to show that Lopes's arguments against it are unsound. Moreover, I argue that Lopes's claim that artistic value might be nothing over and above aesthetic value is untenable, unless it is supplemented by the more basic claim that the aesthetic value in question is something achieved by an artist. Lopes's argument thus only works if he makes recourse to the achievement conception of artistic value that he is keen to reject | |||||||||
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Dominic McIver Lopes (2011). The Myth of (Non-Aesthetic) Artistic Value. Philosophical Quarterly 61 (244):518-536.
Paul Crowther (2007). Defining Art, Creating the Canon: Artistic Value in an Era of Doubt. Oxford University Press.
Henry John Pratt (2012). Artistic Institutions, Valuable Experiences: Coming to Terms with Artistic Value. Philosophia 40 (3):591-606.
Jonathan Gilmore (2011). A Functional View of Artistic Evaluation. Philosophical Studies 155 (2):289-305.
Roman Dykast (2010). Otakar Zich: Aesthetic and Artistic Evaluation, Parts 2 & 3. Estetika 47 (1):71-95.
Graham McFee (2005). The Artistic and the Aesthetic. British Journal of Aesthetics 45 (4):368-387.
Andrea Sauchelli (2012). Ethicism and Immoral Cognitivism: Gaut Versus Kieran on Art and Morality. Journal of Aesthetic Education 46 (3):107-118.
Kathleen Stock (2005). On Davies' Argument From Relational Properties. Acta Analytica 20 (4):24-31.
Christopher Bartel (2010). The 'Fine Art' of Pornography? In Dave Monroe (ed.), Porn: Philosophy for Everyone. Wiley-Blackwell.
Lambert Zuidervaart (2003). Cultural Paths and Aesthetic Signs: A Critical Hermeneutics of Aesthetic Validity. Philosophy and Social Criticism 29 (3):315-340.
Malcolm Budd (2007). The Intersubjective Validity of Aesthetic Judgements. British Journal of Aesthetics 47 (4):333-371.
James Shelley (2002). The Character and Role of Principles in the Evaluation of Art. British Journal of Aesthetics 42 (1):37-51.
S. Matherne (2013). The Inclusive Interpretation of Kant's Aesthetic Ideas. British Journal of Aesthetics 53 (1):21-39.
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