The virtual stage : play, drama, and agency in communications
| Abstract | This dissertation responds to a recent zeitgeist and climate of controversy surrounding issues of "virtuality" and "simulation" Such terms are treated as problematic and essentially contested when framed in reference to notions of a fixed observable "reality" rather than considered in terms of socially constructed facts, relationships and identities. The concept of the "virtual stage" advanced in this thesis, refers to the current historical moment in communications technology development as well as to the dramaturgical perspective which informs the theoretical approach and argument | |||||||||
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Izabela Bondecka-Krzykowska (2012). Uwagi na temat ontologii wirtualnej rzeczywistości. Filozofia Nauki 4.
Roberto Diodato (2012). Aesthetics of the Virtual. State University of New York Press.
Rowan Wilken (2007). The Haunting Affect of Place in the Discourse of the Virtual. Ethics, Place and Environment 10 (1):49 – 63.
Andreas Martin Lisewski (2006). The Concept of Strong and Weak Virtual Reality. Minds and Machines 16 (2).
Robert Scott Stewart & Roderick Nicholls (2002). Virtual Worlds, Travel, and the Picturesque Garden. Philosophy and Geography 5 (1):83 – 99.
Andrew Ward (2010). Virtual Communities. Techné 14 (3):237-251.
Maxim Lebedev (2008). The Agent of Virtual Communications. Proceedings of the Xxii World Congress of Philosophy 39:129-135.
Anders Eriksson & Kalle Grill, Who Owns My Avatar? -Rights in Virtual Property. Proceedings of DiGRA 2005 Conference: Changing Views – Worlds in Play.
Pronin Mikhail (2008). The Virtual Linguistics. Proceedings of the Xxii World Congress of Philosophy 39:309-317.
Khosro S. Jahdi & Gaye Acikdilli (2009). Marketing Communications and Corporate Social Responsibility (Csr): Marriage of Convenience or Shotgun Wedding? Journal of Business Ethics 88 (1):103 - 113.
Beth Coleman (2011). Hello Avatar. Mit Press.
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