The sublimes and natural theology-Kant as a criticalvisionary? Lyotard as the discoverer of a new sublime? And that sublime both Leibnizian and crypto-thomist?
Sophia 38 (2) (1999)
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| Keywords | Values Absolute, The | |||||||||
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| Call number | B2766.Z7.H87 1972b | |||||||||
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Paul Crowther (1989). The Kantian Sublime: From Morality to Art. Oxford University Press.
Peter K. Walhout (2009). The Beautiful and the Sublime in Natural Science. Zygon 44 (4):757-776.
Philip Shaw (2006). The Sublime. Routledge.
C. E. Emmer (2008). Crowther and the Kantian Sublime in Art. In Valerio Rohden, Ricardo R. Terra & Guido A. de Almeida (eds.), Recht und Frieden in der Philosophie Kants: Akten des X. Internationalen Kant-Kongresses [Right and Peace in Kant's Philosophy: Proceedings of the 10th International Kant Congress] 5 vols. Walter de Gruyter.
Gabriele Tomasi (2005). Kant on Painting and the Representation of the Sublime. Croatian Journal of Philosophy 5 (3):545-567.
C. E. Emmer (2001). The Senses of the Sublime: Possibilities for a Non-Ocular Sublime in Kant's Critique of Judgment. In Volker Gerhardt, Rolf Horstmann & Ralph Schumacher (eds.), Kant und die Berliner Aufklärung: Akten des IX. Internationalen Kant-Kongresses, Vol. 3. Walter de Gruyter.
Ashley Woodward (2011). Nihilism and the Sublime in Lyotard. Angelaki 16 (2):51 - 71.
Peter Milne (2011). Sensibility and the Law. Symposium 15 (2):95-119.
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