David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Inquiry 35 (3 & 4):377 – 388 (1992)
The thesis explored here is that ?image technologies? prominent in today's communications technologies are acidic to traditional cultures. I parallel examples from the history of early modern science and its optical instrumentation with the rise of cinema and television and other audio?visual technologies to show a similar history and effect. One dominant contemporary phenomenon which occurs through image technologies is the appearance of pluriculture, a unique mediation of the multi?cultural. The challenge of pluriculture vis?à?vis the contemporary forms of reaction to the phenomenon is also examined
|Keywords||No keywords specified (fix it)|
No categories specified
(categorize this paper)
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
S. Matthew Liao & Anders Sandberg (2008). The Normativity of Memory Modification. Neuroethics 1 (2):85-99.
Aurel Teodor Codoban (2011). From the “Camera Obscura” to the Computer, or How Does the Image Become an Apparent Indexical Sign. Journal for Communication and Culture 1 (1):4-19.
Juhani Pallasmaa (2011). The Embodied Image: Imagination and Imagery in Architecture. John Wiley & Sons Inc..
Patricia Pisters (2011). Synaptic Signals: Time Travelling Through the Brain in the Neuro-Image. Deleuze Studies 5 (2):261-274.
Steve Clarke & Rebecca Roache (2012). Introducing Transformative Technologies Into Democratic Societies. Philosophy and Technology 25 (1):27-45.
Added to index2009-01-30
Total downloads11 ( #131,222 of 1,096,601 )
Recent downloads (6 months)1 ( #258,571 of 1,096,601 )
How can I increase my downloads?