David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
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Inquiry 35 (3 & 4):377 – 388 (1992)
The thesis explored here is that ?image technologies? prominent in today's communications technologies are acidic to traditional cultures. I parallel examples from the history of early modern science and its optical instrumentation with the rise of cinema and television and other audio?visual technologies to show a similar history and effect. One dominant contemporary phenomenon which occurs through image technologies is the appearance of pluriculture, a unique mediation of the multi?cultural. The challenge of pluriculture vis?à?vis the contemporary forms of reaction to the phenomenon is also examined
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