The Work of Music and the Problem of its Identity
University of California Press (1986)
| Abstract | Introduction The starting point for our reflections upon the musical work will be the unsystematized convictions that we encounter in daily life in our communion with musical works before we succumb to one particular theory or another. | |||||||||
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| ISBN(s) | 0520055292 9780520055292 | |||||||||
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Michael Talbot (ed.) (2000). The Musical Work: Reality or Invention? Liverpool University Press.
Kathleen Stock (ed.) (2007). Philosophers on Music: Experience, Meaning, and Work. Oxford University Press.
Stephen Davies (2007). Musical Ontology. Sounds, Instruments and Works of Music / Julian Dodd ; Doing Justice to Musical Works / Michael Morris ; Versions of Musical Works and Literary Translations. In Kathleen Stock (ed.), Philosophers on Music: Experience, Meaning, and Work. Oxford University Press.
Michael Krausz (ed.) (1993). The Interpretation of Music: Philosophical Essays. Oxford University Press.
Eero Tarasti (ed.) (1995). Musical Signification: Essays in the Semiotic Theory and Analysis of Music. Mouton De Gruyter.
Erich Sorantin (1932). The Problem of Musical Expression. Nashville, Tenn.,Marshall & Bruce Co..
Eliot Bates (2004). Glitches, Bugs, and Hisses : The Degeneration of Musical Recordings and the Contemporary Musical Work. In Christopher Washburne & Maiken Derno (eds.), Bad Music: The Music We Love to Hate. Routledge.
Aaron Ridley (2007). Musical Expression. Expression in Music / Derek Matravers ; Explaining Musical Experience / Paul Boghossian ; Persona Sometimes Grata : On the Appreciation of Expressive Music. In Kathleen Stock (ed.), Philosophers on Music: Experience, Meaning, and Work. Oxford University Press.
Ruth Herbert (2011). Everyday Music Listening: Absorption, Dissociation and Trancing. Ashgate Pub. Co..
Stephen Davies (2008). Musical Works and Orchestral Colour. British Journal of Aesthetics 48 (4):363-375.
Carl Stumpf (2012). The Origins of Music. Oxford University Press.
Eddy Zemach & Tamara Balter (2007). Musical Meaning . Can Music Function as a Metaphor of Emotional Life? / Jenefer Robinson ; The Structure of Irony and How It Functions in Music. In Kathleen Stock (ed.), Philosophers on Music: Experience, Meaning, and Work. Oxford University Press.
Peter Kivy (1993). The Fine Art of Repetition: Essays in the Philosophy of Music. Cambridge University Press.
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