To paint the invisible
Continental Philosophy Review 37 (4):389-405 (2004)
| Abstract | In this essay, which is preceded by an interview with the translator, the author revisits her earlier critique of Merleau-Ponty’s privileging of the visible, but also takes further her own thinking by drawing specifically on the issues raised within the context of painting. The focal point of her discussion is Merleau-Ponty’s essay, “Eye and Mind.”. | |||||||||
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Daphna Erdinast-Vulcan (2007). That Which “has No Name in Philosophy”: Merleau-Ponty and the Language of Literature. Human Studies 30 (4):395 - 409.
Douglas Beck Low (2000). Merleau-Ponty's Last Vision: A Proposal for the Completion of the Visible and the Invisible. Northwestern University Press.
David Michael Kleinberg-Levin (2005). The Invisible Hands of Capital and Labour: Using Merleau-Ponty’s Phenomenology to Understand the Meaning of Alienation in Marx’s Theory of Manual Labour. Philosophy and Social Criticism 31 (1):53-67.
Alia Al-Saji (2009). An Absence That Counts in the World: Merleau-Ponty’s Later Philosophy of Time in Light of Bernet’s ‘Einleitung’. Journal of the British Society for Phenomenology 40 (2):207-227.
Maurice Merleau-Ponty (1968). The Visible and the Invisible. Northwestern University Press.
David Morris (2007). Faces and the Invisible of the Visible: Toward an Animal Ontology. Phaenex 2 (2):124-169.
David Morris (2008). Body. In Rosalyn Diprose & Jack Reynolds (eds.), Merleau-ponty: Key Concepts. Acumen Publishing.
Cecilia Sjöholm (2000). Crossing Lovers: Luce Irigaray's Elemental Passions. Hypatia 15 (3):92-112.
Cecilia Sjöholm (2000). Crossing Lovers: Luce Irigaray's Elemental Passions. Hypatia 15 (3):92 - 112.
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