David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
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Grazer Philosophische Studien 86 (1):55-72 (2012)
Software is a ubiquitous artifact, yet not much has been done to understand its ontological nature. There are a few accounts offered so far about the nature of software. I argue that none of those accounts give a plausible picture of the nature of software. I draw attention to the striking similarities between software and musical works. These similarities motivate to look more closely on the discussions regarding the nature of the musical works. With the lessons drawn from the ontology of musical works I offer a novel account of the nature of software. In this account, software is an abstract artifact. I elaborate the conditions under which software comes into existence; how it persists; how and on which entities its existence depends.
|Keywords||software computer programs musical works ontology artifacts abstract objects|
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Citations of this work BETA
Nurbay Irmak (2013). The Privilege of the Physical and the Status of Ontological Debates. Philosophical Studies 166 (1 Supplement):1-18.
Daniel Z. Korman (2014). The Vagueness Argument Against Abstract Artifacts. Philosophical Studies 167 (1):57-71.
Raymond Turner (2014). Programming Languages as Technical Artifacts. Philosophy and Technology 27 (3):377-397.
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