Improvisation, temporality and embodied experience
Journal of Consciousness Studies 11 (3-4):159-173 (2004)
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| Keywords | Aesthetics Cognition Music Perception Time Mitchell, R | |||||||||
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Harold E. Fiske (1993). Music Cognition and Aesthetic Attitudes. E. Mellen Press.
Larry Shapiro (2007). The Embodied Cognition Research Programme. Philosophy Compass 2 (2):338–346.
Hans Heinrich Eggebrecht (2010). Understanding Music: The Nature and Limits of Musical Cognition. Ashgate.
Christopher Peacocke (2009). The Perception of Music: Sources of Significance. The Modern Schoolman 86 (3-4):239-260.
Rita Aiello & John A. Sloboda (eds.) (1994). Musical Perceptions. Oxford University Press.
Bruce Ellis Benson (2003). The Improvisation of Musical Dialogue: A Phenomenology of Music. Cambridge University Press.
David L. Burrows (2007). Time and the Warm Body: A Musical Perspective on the Construction of Time. Brill.
Gary Peters (2009). The Philosophy of Improvisation. University of Chicago Press.
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