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- Frank Jackson (2000). 2. In From Metaphysics to Ethics: A Defence of Conceptual Analysis. Clarendon Press.
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Frank Jackson champions the cause of conceptual analysis as central to philosophical inquiry. In recent years conceptual analysis has been undervalued and widely misunderstood, suggests Jackson. He argues that such analysis is mistakenly clouded in mystery, preventing a whole range of important questions from being productively addressed. He anchors his argument in discussions of specific philosophical issues, starting with the metaphysical doctrine of physicalism and moving on, via free will, meaning, personal identity, motion, and change, to ethics and the philosophy of color. In this way the book not only offers a methodological program for philosophy, but also casts new light on some much-debated problems and their interrelations.
This collection brings together some of Frank Jackson's most influential essays on mind, action, conditionals, method in metaphysics, and ethics. These have each been revised for this edition, and are presented along with his challenge to orthodoxy on the new riddle of induction.
Frank Jackson has a new objectivist and representationalist account of the content of colour-experience. I raise several objections both against the account itself and, primarily, against how he tries to support it. He argues that the new account enables us to see what is wrong with the so-called Opacity Puzzle. This alleged puzzle is an argument in which a seemingly implausible conclusion is derived from three premises of which seem plausible to an representationalist. Jackson.
Frank Jackson often writes as if his descriptivist account of public language meanings were just plain common sense. How else are we to explain how different speakers manage to communicate using a public language? And how else can we explain how individuals arrive at confident judgments about the reference of their words in hypothetical scenarios? Our aim in this paper is to show just how controversial the psychological assumptions behind in Jackson’s semantic theory really are. First, we explain how Jackson’s theory goes well beyond the commonsense platitudes he cites in its defence. Second, we sketch an alternative explanation of those platitudes, the jazz model of meaning, which we argue is more psychologically realistic. We conclude that the psychological picture presupposed by Jackson’s semantic theory stands in need of a much more substantial defence than he has so far offered.
An illustrious line-up of seventeen philosophers from the USA, the UK, and Australia present new essays on themes from the work of Frank Jackson, which bridges mind, language, logic, metaphysics, and ethics. Central to Jackson's work is an approach to metaphysical issues built on the twin foundations of supervenience and conceptual analysis. In the first part of the book six essays examine this approach and its application to philosophy of mind and philosophy of color. The second part focuses on Jackson's highly influential work on phenomenal consciousness. The third part is devoted to Jackson's work in ethics, both normative ethics and metaethics. The last three papers discuss Jackson's ground-breaking work on conditionals. The final section of the book comprises a substantial essay by Jackson in reply to his critics: this offers some of the clearest expressions of the ideas which Jackson has brought to the fore in philosophy.
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