David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
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Dale Jacquette (ed.)
Cambridge University Press (1996)
This collection brings together thirteen new essays by some of the most respected contemporary scholars of Schopenhauer's aesthetics from a wide spectrum of philosophical perspectives. The dynamics of the empirical will and Will as a thing-in-itself in the interplay of Schopenhauer's metaphysics and philosophy of fine art has important implications for the freedom, salvation, and tragic suffering of the artist, the representation of Platonic Ideas in art, and the role of artistic inspiration, emotion, and aesthetic pleasure in the beautiful and sublime. These essays examine the unique theory Schopenhauer developed to explain the life and work of the artist, and the influence his aesthetic philosophy has had on subsequent artistic traditions in such diverse areas as music, painting, poetry, literature, and architecture. The authors present Schopenhauer's thought as a vital and enduring contribution to aesthetic theory, and to the idealist vision which continues to guide Romantic and neo-Romantic art.
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Shehira Doss-Davezac, Schopenhauer According to the Symbolists: The Philosophical Roots of Late Nineteenth-Century French Aesthetic Theory.
Lydia Goehr, Schopenhauer and the Musicians: An Inquiry Into the Sounds of Silence and the Limits of Philosophizing About Music.
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