Images of Excellence: Plato's Critique of the Arts
Oxford University Press (1995)
| Abstract | This original new book argues for a reassessment of Plato's challenge to the arts. Plato was the first great figure in Western philosophy to assess the value of the arts; he argued in the Republic that traditionally accepted forms of poetry, drama, and music are unsound. While this view has been widely rejected, Janaway argues that Plato's hostile case is a more coherent and profound challenge to the arts than has sometimes been supposed. Denying that Plato advocates "good art" in any modern sense, Janaway seeks both to understand Plato's critique in the context of his own philosophy and to locate him in today's philosophy of art, showing how issues in aesthetics arise from responses to his charges. | |||||||||
| Keywords | Aesthetics Philosophy, Ancient | |||||||||
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| Buy the book | $43.28 direct from Amazon (14% off) $165.75 new Amazon page | |||||||||
| Call number | B398.A4.J36 1995 | |||||||||
| ISBN(s) | 0198240074 | |||||||||
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Alexander Nehamas (1982). Plato on Imitation and Poetry in Republic 10. In J. M. E. Moravcsik & Philip Temko (eds.), Plato on Beauty, Wisdom, and the Arts. Rowman and Littlefield.
Günter Figal (2003). Image and Word. Epoché 7 (2):251-259.
Philip Alperson (ed.) (1992). The Philosophy of the Visual Arts. Oxford University Press.
John Glucker (1987). Plato and the Arts Julius Moravcsik, Philip Temko (Edd.): Plato on Beauty, Wisdom and the Arts. (American Philosophical Quarterly Library of Philosophy.) Pp. X+150. Totowa, New Jersey: Rowan & Littlefield, 1982. $27.50. [REVIEW] The Classical Review 37 (02):210-213.
Paul Mattick (ed.) (1993). Eighteenth-Century Aesthetics and the Reconstruction of Art. Cambridge University Press.
David Carr (2010). Dangerous Knowledge: On the Epistemic and Moral Significance of Arts in Education. Journal of Aesthetic Education 44 (3):1-15.
R. G. Collingwood (1925). Plato's Philosophy of Art. Mind 34 (134):154-172.
Christopher Janaway (1992). Arts and Crafts in Plato and Collingwood. Journal of Aesthetics and Art Criticism 50 (1):45-54.
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