Philosophy of the Film: Epistemology, Ontology, Aesthetics
Routledge & Kegan Paul (1987)
| Abstract | Examines the overlap between film and philosophy in three distinct ways: epistemological issues in film-making and viewing; aesthetic theory and film; and film as a medium of philosophical expression. This title available in eBook format. Click here for more information . Visit our eBookstore at: www.ebookstore.tandf.co.uk. | |||||||||
| Keywords | Motion pictures Philosophy | |||||||||
| Categories | ||||||||||
| Buy the book | $114.20 new (18% off) $138.00 direct from Amazon Amazon page | |||||||||
| Call number | PN1995.J36 1987 | |||||||||
| ISBN(s) | 0710210167 9780710210166 | |||||||||
| Options |
|
|||||||||
Download options| PhilPapers Archive |
Upload a copy of this paper Check publisher's policy on self-archival Papers currently archived: 5,679 |
| External links |
  Try with proxy. |
| Through your library | Configure |
Similar books and articlesRichard Allen & Murray Smith (eds.) (1997). Film Theory and Philosophy. Oxford University Press.
Bruce F. Kawin (1978/2006). Mindscreen: Bergman, Godard, and First-Person Film. Dalkey Archive Press.
Veijo Hietala (1990). Situating the Subject in Film Theory: Meaning and Spectatorship in Cinema. Distributor, Akateeminen Kirjakauppa.
Trevor Whittock (1990). Metaphor and Film. Cambridge University Press.
Gregory Currie (1995). Image and Mind: Film, Philosophy and Cognitive Science. Cambridge University Press.
Analytics
Monthly downloads |
Added to index2009-01-28Total downloads72 ( #11,673 of 549,087 )Recent downloads (6 months)3 ( #25,722 of 549,087 )How can I increase my downloads? |
My notes
Discussion
