The Psychologizing of Modernity: Art, Architecture, and History
David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
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Cambridge University Press (2000)
In The Psychologizing of Modernity, Mark Jarzombek examines the impact of psychology on twentieth-century aesthetics. Analysing the interface between psychology, art history and avant-gardist practices, he also reflects on the longevity of the myth of aesthetic individuality as it infiltrated not only avant-garde art, but also history writing. The principal focus of this study is pre-World War II Germany, where theories of empathy and Entartung emerged; and post-war America, where artists, critics and historians gradually shifted from their reliance on psychology to philosophy, and, most recently, to theory. Included are discussions of writers such as Heinrich Wölfflin, Ludwig Volkmann, John Dewey, Vincent Scully and Richard Arnheim, among others. The Psychologizing of Modernity is a broad and erudite study of the evolution of modern aesthetic thinking in the fields of art and architectural history.
|Keywords||Aesthetics Psychological aspects Aesthetics, Modern|
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|Call number||BH301.P78.J37 2000|
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Citations of this work BETA
Robert Michael Brain (2012). Self-Projection: Hugo Münsterberg on Empathy and Oscillation in Cinema Spectatorship. Science in Context 25 (3):329-353.
Susan Lanzoni (2012). Empathy in Translation: Movement and Image in the Psychological Laboratory. Science in Context 25 (3):301-327.
Susan Lanzoni (2012). Introduction: Emotion and the Sciences: Varieties of Empathy in Science, Art, and History. Science in Context 25 (3):287-300.
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