Intonation as a specific form of musical semiosis

In Eero Tarasti (ed.), Musical Signification: Essays in the Semiotic Theory and Analysis of Music. Mouton de Gruyter. pp. 121--155 (1995)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,349

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Musical semiosis and the rasa theory.José Luiz Martinez - 1996 - In Eero Tarasti, Paul Forsell & Richard Littlefield (eds.), Musical Semiotics in Growth. International Semiotics Institute. pp. 99.
Jeremy Bentham's Theory of Fictions: Some Reflections on Its Implications for Musical Semiosis and Ontology.Cynthia M. Grund - 1996 - In Eero Tarasti, Paul Forsell & Richard Littlefield (eds.), Musical Semiotics in Growth. International Semiotics Institute. pp. 55--71.
Wordless rhetoric: musical form and the metaphor of the oration.Mark Evan Bonds - 1991 - Cambridge, Mass.: Harvard University Press.
Spatial semiosis and time.Leonid Tchertov - 2005 - Sign Systems Studies 33 (2):297-314.
Language from gesture.Sherman Wilcox - 2004 - Behavioral and Brain Sciences 27 (4):525-526.
Zur Kategorie der Form in neuer Musik.Andreas Holzer - 2011 - Wien: Mille Tre Verlag. Edited by Manfred Permoser.

Analytics

Added to PP
2014-01-28

Downloads
13 (#1,010,467)

6 months
6 (#504,917)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references