Annette Baier on Reason and Morals in Hume's Philosophy [Book Review]

Dialogue 34 (2):367- (1995)
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Abstract

Annette Baier should have entitled her book A Progress of Reason and Sentiments instead of A Progress of Sentiments, because one of her chief concerns is the role and significance of reason in Hume's philosophy. She says in the Preface that her aim in the book is “to present Hume's work as exhibiting a progress of thought and sentiment, and acquiring ‘new force as it advances‘” (p. viii). Because the issue of reason in Hume's philosophy is central to her concern, Baier initiates a discussion of it in Chapter 1 and relentlessly pursues the discussion throughout the book. I think it is fair to say that Baier wishes to answer the question “How, if at all, does cognitive reason function in Hume's philosophy?” To answer this question she begins by contrasting Hume's method of conducting philosophy with the method of the Cartesian or intellectualist tradition. She shows that solipsism is, to borrow Gilbert Ryle's expression, the “ineluctable destiny” of the kind of philosopher who glorifies the intellect while denigrating the other human capacities, the individual who indulges in abstract speculation over practical matters. According to Baier, this solipsistic predicament i s what Hume's protagonist articulates towards the end of his intellectual adventure in Book I, Part IV of the Treatise in saying: “Where am I or what? From what causes do I derive my existence?…” Here, Baier affirms, is pure (read unsociable) reason trapped in a miasma of self-doubt, perplexities, bewilderment and desolation from which it cannot extricate itself.

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References found in this work

The Concept of Mind.Gilbert Ryle - 1949 - Revue Philosophique de la France Et de l'Etranger 141:125-126.
Hume's cognitive theory of pride.Donald Davidson - 1976 - Journal of Philosophy 73 (19):744-757.
Passion and Value in Hume's Treatise.D. G. C. MacNabb & Pall S. Ardal - 1969 - Philosophical Review 78 (1):127.
The Philosopher as Writer: The Eighteenth Century.Robert Ginsberg - 1987 - Journal of Aesthetics and Art Criticism 47 (4):398-399.

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