(Kivy on) the form–content identity thesis
British Journal of Aesthetics 48 (2):193-204 (2008)
| Abstract | Peter Kivy investigates the unity of form and content in the arts, particularly in poetry. While Kivy says much with which I happily agree, I sadly disagree with him about the impossibility of form–content identities. Kivy's arguments fail to compel: there are other ways of understanding form–content identities and the need for them that has been felt by artists and critics. CiteULike Connotea Del.icio.us What's this? | |||||||||
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Philip Hugly & Charles Sayward (2000). Frege on Identities. History and Philosophy of Logic 21 (3):195-205.
Bernard Harrison (1973). Form and Content. Blackwell.
Nathan Salmon (2005). On Designating. Mind 114 (456):1069-1133.
J. O. Young (2011). Kivy on Musical Genius. British Journal of Aesthetics 51 (1):1-12.
Stephen Davies (2002). Profundity in Instrumental Music. British Journal of Aesthetics 42 (4):343-356.
John MacFarlane (2008). McDowell's Kantianism. Theoria 70 (2-3):250-265.
Peter Kivy (1994). Armistice, but No Surrender: Davies on Kivy. Journal of Aesthetics and Art Criticism 52 (2):236-237.
Juha Saatsi (2009). Form Vs. Content-Driven Arguments for Realism. In P. D. Magnus & Jacob Busch (eds.), New Waves in Philosophy of Science. Palgrave Macmillan.
Peter Lamarque (2009). The Elusiveness of Poetic Meaning. Ratio 22 (4):398-420.
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