David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
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Journal of Aesthetics and Art Criticism 69 (2):197-208 (2011)
Although experimental philosophers have been busy kindling fires under well-worn armchairs in areas of philosophy as varied as epistemology, normative ethics, theories of reference, and the free will controversy, the philosophy of art has remained largely untouched. As Denis Dutton observes: “There is precious little reference to empirical psychology in contemporary philosophical aesthetics, almost as if philosophers of art have wanted to protect their patch from incursions by psychologists.” I intend to show how techniques borrowed from experimental psychology can bring light as well as warmth to the old debate over “What is art?”
|Keywords||experimental philosophical aesthetics|
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Florian Cova, Amanda Garcia & Shen-yi Liao (2015). Experimental Philosophy of Aesthetics. Philosophy Compass 10 (12):927-939.
Shen‐yi Liao & Aaron Meskin (2015). Aesthetic Adjectives: Experimental Semantics and Context‐Sensitivity. Philosophy and Phenomenological Research 92 (1).
Annelies Monseré (forthcoming). Borderline Cases and the Project of Defining Art. Acta Analytica:1-17.
Annelies Monseré (2015). The Role of Intuitions in the Philosophy of Art. Inquiry 58 (7-8):806-827.
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