David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
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Deleuze Studies 6 (2):265-290 (2012)
This paper examines Guattari's notion of transversality through a creative and ambiguous form of political intervention, the performative encounter. Drawing from Guattari's work on subject groups, in combination with Deleuze's conjunctive ‘and’, via contemporary theorisations of creative activism and affect, it maps out a movement that destabilises categorical dualisms between activists and non-activists, artists and non-artists. It proposes that transversals such as those enacted by the performative encounter open spaces for the emergence of new subjectivities, relations and worlds. In doing so it critically extends Guattari's conceptualisations of political organisation, group subjectivation and aesthetics into radical political terrains that are antagonistic of the nation-state and capital at the same time as being affirmative of possible present and future conditions.
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References found in this work BETA
Brian Massumi (2002). Parables for the Virtual: Movement, Affect, Sensation. Duke University Press.
Gilles Deleuze & Claire Parnet (1996). Dialogues. Monograph Collection (Matt - Pseudo).
Laura Cull (ed.) (2009). Deleuze and Performance. Edinburgh University Press.
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