David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
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Oxford University Press (2007)
In the Critique of Judgement, Kant offers a penetrating analysis of our experience of the beautiful and the sublime. He discusses the objectivity of taste, aesthetic disinterestedness, the relation of art and nature, the role of imagination, genius and originality, the limits of representation, and the connection between morality and the aesthetic. He also investigates the validity of our judgements concerning the degree in which nature has a purpose, with respect to the highest interests of reason and enlightenment. The work profoundly influenced the artists, writers, and philosophers of the classical and romantic period, including Hegel, Schelling, Schopenhauer, and Nietzsche. In addition, it has remained a landmark work in fields such as phenomenology, hermeneutics, the Frankfurt School, analytical aesthetics, and contemporary critical theory. Today it remains an essential work of philosophy, and required reading for all with an interest in aesthetics.
|Keywords||Judgment (Logic) Judgment (Aesthetics) Teleology|
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|Call number||B2783.E5.M47 2007|
|ISBN(s)||145280124X 9780192806178 0192806173 0486445437 0760762023 9780760762028 0191517437 9780191517433|
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Mark Cauchi (2009). Deconstruction and Creation: An Augustinian Deconstruction of Derrida. [REVIEW] International Journal for Philosophy of Religion 66 (1):15 - 32.
Michael Morris & Julian Dodd (2009). Mysticism and Nonsense in the Tractatus. European Journal of Philosophy 17 (2):247-276.
Christopher Dowling (2011). Zangwill, Moderate Formalism, and Another Look at Kant's Aesthetic. Kantian Review 15 (2):90-117.
Michael J. Denton, Govindasamy Kumaramanickavel & Michael Legge (2013). Cells as Irreducible Wholes: The Failure of Mechanism and the Possibility of an Organicist Revival. Biology and Philosophy 28 (1):31-52.
Nick Zangwill (2002). Against the Sociology of the Aesthetic. Cultural Values 6 (4):443-452.
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C. E. Emmer (2001). The Senses of the Sublime: Possibilities for a Non-Ocular Sublime in Kant's Critique of Judgment. In Volker Gerhardt, Rolf Horstmann & Ralph Schumacher (eds.), Kant und die Berliner Aufklärung: Akten des IX. Internationalen Kant-Kongresses, Vol. 3. Walter de Gruyter.
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