British Journal of Aesthetics 52 (1):97-102 (2012)
|Abstract||In a recent article in this journal, Lee B. Brown criticizes one central kind of project in higher-order musical ontology—the project of offering an ontological theory of a particular musical tradition. I defend this kind of project by replying to Brown’s critique, arguing that musical practices are not untheorizably messy, and that a suitably subtle descriptivist ontology of a given practice can be valuable both theoretically and practically|
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
|Through your library||Configure|
Similar books and articles
Andrew Kania (2008). Piece for the End of Time: In Defence of Musical Ontology. British Journal of Aesthetics 48 (1):65-79.
L. B. Brown (2011). Do Higher-Order Music Ontologies Rest on a Mistake? British Journal of Aesthetics 51 (2):169-184.
Christopher Bartel (2011). Music Without Metaphysics? British Journal of Aesthetics 51 (4):383-398.
Andrew Kania (2008). The Methodology of Musical Ontology: Descriptivism and its Implications. British Journal of Aesthetics 48 (4):426-444.
L. B. Brown (2012). Further Doubts About Higher-Order Ontology: Reply to Andrew Kania. British Journal of Aesthetics 52 (1):103-106.
Bertinetto Alessandro (2012). Paganini Does Not Repeat. Musical Improvisation and the Type/Token Ontology. Teorema (3):105-126.
Ross Cameron (forthcoming). There Are No Things That Are Musical Works. British Journal of Aesthetics 48 (3):295-314.
Saam Trivedi (2008). Music and Metaphysics. Metaphilosophy 39 (1):124–143.
Lee B. Brown (1996). Musical Works, Improvisation, and the Principle of Continuity. Journal of Aesthetics and Art Criticism 54 (4):353-369.
Ben Caplan & Carl Matheson (2006). Defending Musical Perdurantism. British Journal of Aesthetics 46 (1):59-69.
James Young (2011). The Ontology of Musical Works: A Philosophical Pseudo-Problem. Frontiers of Philosophy in China 6 (2):284-297.
Stephen Davies (2007). Musical Ontology. Sounds, Instruments and Works of Music / Julian Dodd ; Doing Justice to Musical Works / Michael Morris ; Versions of Musical Works and Literary Translations. In Kathleen Stock (ed.), Philosophers on Music: Experience, Meaning, and Work. Oxford University Press.
Julian Dodd (2008). Musical Works: Ontology and Meta-Ontology. Philosophy Compass 3 (6):1113-1134.
Nurbay Irmak (2012). Software is an Abstract Artifact. Grazer Philosophische Studien 86:55-72.
Added to index2011-12-09
Total downloads12 ( #101,098 of 722,752 )
Recent downloads (6 months)2 ( #36,438 of 722,752 )
How can I increase my downloads?