Making tracks: The ontology of rock music
Journal of Aesthetics and Art Criticism 64 (4):401–414 (2006)
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Josh Gillon (2012). Why 30 Rock Is Not Funny (It's Metafunny). Philosophy and Literature 35 (2):320-337.
Angela Rodel (2004). Extreme Noise Terror : Punk Rock and the Aesthetics of Badness. In Christopher Washburne & Maiken Derno (eds.), Bad Music: The Music We Love to Hate. Routledge.
Andrew Kania (2008). Piece for the End of Time: In Defence of Musical Ontology. British Journal of Aesthetics 48 (1):65-79.
Deena Weinstein (2004). Rock Critics Need Bad Music. In Christopher Washburne & Maiken Derno (eds.), Bad Music: The Music We Love to Hate. Routledge.
Andrew Kania (2008). Works, Recordings, Performances : Classical, Rock, Jazz. In Mine Doğantan (ed.), Recorded Music: Philosophical and Critical Reflections. Middlesex University Press.
Lee B. Brown (2000). Phonography, Rock Records, and the Ontology of Recorded Music. Journal of Aesthetics and Art Criticism 58 (4):361-372.
L. B. Brown (2011). Do Higher-Order Music Ontologies Rest on a Mistake? British Journal of Aesthetics 51 (2):169-184.
Christopher Bartel (2011). Music Without Metaphysics? British Journal of Aesthetics 51 (4):383-398.
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