David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
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British Journal of Aesthetics 48 (4):426-444 (2008)
I investigate the widely held view that fundamental musical ontology should be descriptivist rather than revisionary, that is, that it should describe how we think about musical works, rather than how they are independently of our thought about them. I argue that if we take descriptivism seriously then, first, we should be sceptical of art-ontological arguments that appeal to independent metaphysical respectability; and, second, we should give fictionalism about musical works—the theory that they do not exist—more serious consideration than it is usually accorded. CiteULike Connotea Del.icio.us What's this?
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Julian Dodd (2013). Adventures in the Metaontology of Art: Local Descriptivism, Artefacts and Dreamcatchers. [REVIEW] Philosophical Studies 165 (3):1047-1068.
David Davies (2009). Works and Performances in the Performing Arts. Philosophy Compass 4 (5):744-755.
Philip Alperson (2009). Facing the Music: Voices From the Margins. Topoi 28 (2):91-96.
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