David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
British Journal of Aesthetics 48 (4):426-444 (2008)
I investigate the widely held view that fundamental musical ontology should be descriptivist rather than revisionary, that is, that it should describe how we think about musical works, rather than how they are independently of our thought about them. I argue that if we take descriptivism seriously then, first, we should be sceptical of art-ontological arguments that appeal to independent metaphysical respectability; and, second, we should give fictionalism about musical works—the theory that they do not exist—more serious consideration than it is usually accorded. CiteULike Connotea Del.icio.us What's this?
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
David Davies (2009). Works and Performances in the Performing Arts. Philosophy Compass 4 (5):744-755.
Philip Alperson (2009). Facing the Music: Voices From the Margins. Topoi 28 (2):91-96.
Julian Dodd (2013). Adventures in the Metaontology of Art: Local Descriptivism, Artefacts and Dreamcatchers. [REVIEW] Philosophical Studies 165 (3):1047-1068.
Similar books and articles
Nurbay Irmak (2012). Software is an Abstract Artifact. Grazer Philosophische Studien 86 (1):55-72.
James Young (2011). The Ontology of Musical Works: A Philosophical Pseudo-Problem. Frontiers of Philosophy in China 6 (2):284-297.
Stephen Davies (2007). Musical Ontology. Sounds, Instruments and Works of Music / Julian Dodd ; Doing Justice to Musical Works / Michael Morris ; Versions of Musical Works and Literary Translations. In Kathleen Stock (ed.), Philosophers on Music: Experience, Meaning, and Work. Oxford University Press.
Ross Cameron (2008). There Are No Things That Are Musical Works. British Journal of Aesthetics 48 (3):295-314.
Ben Caplan & Carl Matheson (2006). Defending Musical Perdurantism. British Journal of Aesthetics 46 (1):59-69.
A. Kania (2012). In Defence of Higher-Order Musical Ontology: A Reply to Lee B. Brown. British Journal of Aesthetics 52 (1):97-102.
Christopher Bartel (2011). Music Without Metaphysics? British Journal of Aesthetics 51 (4):383-398.
Saam Trivedi (2008). Music and Metaphysics. Metaphilosophy 39 (1):124–143.
Andrew Kania (2008). Piece for the End of Time: In Defence of Musical Ontology. British Journal of Aesthetics 48 (1):65-79.
Added to index2009-01-28
Total downloads93 ( #12,203 of 1,098,129 )
Recent downloads (6 months)9 ( #21,787 of 1,098,129 )
How can I increase my downloads?