The philosophy of motion pictures • by Noël Carroll
Analysis 69 (1):194-195 (2009)
| Abstract | Book review of _The Philosophy of Motion Pictures_ by Noël Carroll | |||||||||
| Keywords | Film | |||||||||
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Veijo Hietala (1990). Situating the Subject in Film Theory: Meaning and Spectatorship in Cinema. Distributor, Akateeminen Kirjakauppa.
Monika Bokiniec (2010). Noël Carroll: On Criticism. Estetika 47 (1).
Katherine Thomson-Jones (2008). The Philosophy of Motion Picturesby Carroll, Noël. Journal of Aesthetics and Art Criticism 66 (4):401-403.
Vera Apfelthaler & Julia Köhne (eds.) (2007). Gendered Memories: Transgressions in German and Israeli Film and Theatre. Turia + Kant.
Yvette Bíró (1982). Profane Mythology: The Savage Mind of the Cinema. Indiana University Press.
Noël Carroll (1996). Theorizing the Moving Image. Cambridge University Press.
Noël Burch (1981). Theory of Film Practice. Princeton University Press.
Richard Taylor & Boris Mikhaĭlovich Ėĭkhenbaum (eds.) (1982). The Poetics of Cinema. Rpt Publications in Association with Dept. Of Literature, University of Essex.
John David Rhodes & Elena Gorfinkel (eds.) (2011). Taking Place: Location and the Moving Image. University of Minnesota Press.
Noël Carroll (2008). The Philosophy of Motion Pictures. Blackwell Pub..
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