Online research in philosophy

An award-wining biologist takes us on the dramatic expeditions that unearthed the history of life on our planet. Just 150 years ago,most of our world was an unexplored wilderness.Our sense of how old it was? Vague and vastly off the mark. And our sense of our own species’ history? A set of fantastic myths and fairy tales. Fossils had been known for millennia, but they were seen as the bones of dragons and other imagined creatures. In the tradition of The Microbe Hunters and Gods, Graves, and Scholars, Sean Carroll’s Remarkable Creatures celebrates the pioneers who replaced our fancies with the even more amazing true story of how our world evolved. Carroll recounts the most important discoveries in two centuries of national history — from Darwin’s trip around the world to CharlesWalcott’s discovery of pre-Cambrian life in the Grand Canyon; from Louis and Mary Leakey’s investigation of our deepest past in East Africa to the trailblazers in modern laboratories who have located a time clock in our DNA. Join him in a rousing voyage of discovery, from the epic journeys of pioneering naturalists to the breakthroughs making headlines today.

dimension is actually “the typical.”[i] There would seem to be little typical about a world of comatose women, a barely sane, largely delusional male nurse, a woman bullfighter, and a rape that leads to a “rebirth” in a number of senses. But comatose women, the central figures in Almodóvar’s Talk to Her, are, oddly, very familiar in that mythological genre closest to us: fairy tales. Both Snow White and Sleeping Beauty are comatose women who endure, “non-consensually” we must say, a male kiss, male sexual attention. (Siegfried’s awakening kiss of Brunnhilde in the extraordinary third act of Siegfried should also be mentioned.)[ii] Someone apparently must manifest some act of faith, must believe that these corpse-like women are not dead, and believe it strongly enough to kiss them. Then there is a kind of inversion of these fairy tales in Kleist’s story and Roehmer’s film, “Die Marquise von O.” Here the kiss is actually a rape, but the rapist again emerges as some sort of Prince Charming after all (he had originally saved the Marquise from rape by a group of Russian soldiers), and there are echoes of that somewhat disturbing notion of reconciliation as well in the Almodóvar film. (Alicia, after all, does awaken.) In the Kleist story, a woman must place an ad in a newspaper asking her unknown rapist (she was drugged and asleep) and the father of her unborn child to come forward. He does eventually and the story ends with their marriage and with one of the most enigmatic lines in all of literature, as enigmatic, I think, as our complex reactions to Benigno’s act: the Marquise says that she would not have thought her new husband a devil if he had not first appeared as an angel, as if one person can be both devil and angel, that, to the extent that one can be an angel, to that extent he also can be a devil.

This thesis identifies the early Irish Ulster Cycle of tales as a rich source of information relating to the nature and significance of sport-like activity in the ancient world. Taking the tales of the Ulster Cycle as its data, this thesis adopts a method of analysis which combines aspects of historical and postmodern philosophical processes. The relationships between and among sport, history, truth and fiction are investigated in determining the contribution that the early Irish Ulster Cycle of tales might offer the historian of sport. Central to this notion is the idea that an examination of the role and significance that sport-like activity plays in the Ulster tales might help produce useful and interesting descriptions and understandings of sport in general and sport history in particular. This thesis addresses several aspects of the role of sport-like activity in the tales, namely: the role of sport-like activity in the development of the Celtic „hero‟; the connection between sport-like activity and combat; the use of sport-like activity in gaining and maintaining social status; and, the role of women in the physical development of the hero. This thesis asserts some important conclusions regarding sport and games in the Ulster tales and their contribution to sport history. The Ulster tales do indeed contain salient references to sport-like activity. Sport-like activity plays a critical role in the definition and status of a warrior. The tales provide evidence of specialised warrior training and an identifiable pattern of martial education of which sport-like activity is a central component. Several women are trained in martial arts and play a primary role in the latter stages of the physical and martial education of warriors. Finally, the sport-like activity in the tales can be seen to contain evidence of an early sport ethic. In essence, this thesis offers a fresh contribution to the understanding of sport in the ancient world by way of an examination of the sport-like activity in the early Irish Ulster tales.

This panel will explore the conventions of books less frequently analyzed in classrooms and often overlooked by the scholarly world: young adult literature. Such undervalued literature often becomes the foundation for an individual's lifelong readership, therefore increasing the significance of children's and young adult literature in relation to its audience. We will be merging a comprehensive study of young adult literature with a specific application to rewritten fairy tales within that genre in order to prove the value of good young adult literature in its strong, believable characters; its foundations in tradition and folklore; and the beauty of the writing itself.

From the scorched-earth works of action-movie provocateurs Seijun Suzuki and Sam Peckinpah to the cargo cult soundscapes of Pere Ubu and the Czech dissidents ...

This is the long-awaited publication of a set of writings by the British philosopher, historian, and archaeologist R.G. Collingwood (1889-1943) on critical, anthropological, and cultural themes only hinted at in his previously available work. At the core are six essays on folktale and magic in which Collingwood applies the principles of his philosophy of history to problems in the long-term evolution of human society and culture. The volume opens with three substantial introductory essays by the editors, authorities in their various fields, who provide their explanatory and contextual notes to guide the reader through the texts. The Philosophy of Enchantment highlights the broad range of Collingwood's intellectual engagements, their integration, and their relevance to current areas of debate in the fields of philosophy, cultural studies, social and literary history, and anthropology.