Online research in philosophy

In the modern Continental tradition the word "subjectivity" is used to denote all that refers to a subject, its psychological-physical integrity represented by its mind, all that determines the unique mentality, mental state, and reactions of this subject. Subjectivity in this perspective has become on the Continent the central principle of philosophy.Modern Continental philosophy not only maintains the value of the subject and awakens an interest in genuine subjectivity. It evolves from the subject and subjective self-consciousness as Jundamento inconcusso. Thus modern Continental philosophy should be understood and discussed as a philosophy of subjectivity. This paper deals, on the one hand, with the philosophical-historical reconstruction of modern philosophy of subjectivity from Descartes to Hegel, and, on the other hand, with an analysis and evaluation of Hegel's systematic approach to subjectivity in terms of philosophical tradition, especially from the viewpoint of the realization of the idealistic program of selfconsciousness represented by German idealists.Focusing on the major lines of development of the theory of subjectivity in Continental philosophy from Descartes to Hegel, 1(1) discuss the quandaries of early modern philosophers concerning subject and subjectivity and their attempts to resolve these quandaries by developing the fundamentally new (in contrast to previous tradition) understanding of subjectivity; (2) show that the issue of subjectivity was the basic topic of transcendental idealism; and (3) introduce Hegel's approach to subjectivity and briefly define its novel character.

The so-called subjectivity of conscious experience is central to much recent work in the philosophy of mind. Subjectivity is the alleged property of consciousness whereby one can know what it is like to have certain conscious states only if one has undergone such states oneself. I review neurophilosophical work on consciousness and concepts pertinent to this claim and argue that subjectivity eliminativism is at least as well supported, if not more supported, than subjectivity reductionism.

Traditionally, questions about consciousness and subjectivity are treated separately from questions about the self and identity. But sometimes 'the self' is spoken of as 'the subject,' which suggests that the first-person perspective may be constituted in the same way as the self. Narrative provides a powerful model of the self in contemporary psychology, philosophy of mind, and moral psychology. On some versions of narrative theory, narrative is held fundamental not only to self-understanding but to the phenomenology of the first-person point of view, too. I call this approach the narrative self-subject model. I argue that the narrative model does not apply to subjectivity, and that the narrative self should be distinguished from the 'I' of the first- person perspective. Roughly, this is because first-person narratives employ the first-person pronoun 'I' to identify some person, but the distinctive features of subjectivity are marked by a different, non-identifying use of the pronoun 'I'.

After World War II, Japanese intellectuals believed that world history was moving inexorably toward bourgeois democracy and then socialism. But who would be the agents--the active "subjects"--of that revolution in Japan? Intensely debated at the time, this question of active subjectivity influenced popular ideas about nationalism and social change that still affect Japanese political culture today. In a major contribution to modern Japanese intellectual history, J. Victor Koschmann analyzes the debate over subjectivity. He traces the arguments of intellectuals from various disciplines and political viewpoints, and finds that despite their stress on individual autonomy, they all came to define subjectivity in terms of deterministic historical structures, thus ultimately deferring the possibility of radical change in Japan. Establishing a basis for historical dialogue about democratic revolution, this book will interest anyone concerned with issues of nationalism, postcolonialism, and the formation of identities.

Many have urged that the biggest obstacles to a physicalistic understanding of consciousness are the problems raised in connection with the subjectivity of consciousness. These problems are most acutely expressed in consideration of the knowledge argument against physicalism. I develop a novel account of the subjectivity of consciousness by explicating the ways in which mental representations may be perspectival. Crucial features of my account involve analogies between the representations involved in sensory experience and the ways in which pictorial representations exhibit perspectives or points of view. I argue that the resultant account of subjectivity provides a basis for the strongest response physicalists can give to the knowledge argument.

The Persistence of Subjectivity examines several approaches to, and critiques of, the core notion in the self-understanding and legitimation of the modern, 'bourgeois' form of life: the free, reflective, self-determining subject. Since it is a relatively recent historical development that human beings think of themselves as individual centers of agency, and that one's entitlement to such a self-determining life is absolutely valuable, the issue at stake also involves the question of the historical location of philosophy. What might it mean to take seriously Hegel's claim that philosophical reflection is always reflection on the historical 'actuality' of its own age? Discussing Heidegger, Gadamer, Adorno, Leo Strauss, Manfred Frank, and John McDowell, Robert Pippin attempts to understand how subjectivity arises in contemporary institutional practices such as medicine, as well as in other contexts such as modernism in the visual arts and in the novels of Marcel Proust.

The book provides a comprehensive, accessible, and high-quality text that introduces the reader to various conceptions of self and subjectivity in relation to ...

The aim of this article is to clarify the relation between genealogy and history and to suggest a methodological reading of Nietzsche's Genealogy of Morals. I try to determine genealogy's specific range of objects, specific mode of explication, and specific textual form. Genealogies in general can be thought of as drastic narratives of the emergence and transformations of forms of subjectivity related to power, told with the intention to induce doubt and self-reflection in exactly those readers whose (collective) history is narrated. The main interest in understanding the concept of genealogy and revisiting Nietzsche's introduction of it into philosophy lies in understanding how a certain way of writing and a certain textual practice function that successfully call into question current judgments, institutions and practices. Nietzsche's example, I argue, can provide a paradigm for a critical practice that accounts for historical processes of subject formation in terms of power and turns them against given forms of subjectivity.