Iconoclasm in Aesthetics

Cambridge University Press (2003)
Abstract Although philosophers have characteristically taken the view that art is a vehicle of some universal meaning or truth, art historians emphasize the concrete, historical location of the individual work of art. Is aesthetics capable of sustaining these two approaches? Or, as Michael Kelly argues: Is art actually determined by its historical particularity? His book covers the views of four philosophers--Heidegger, Adorno, Derrida, and Danto--ultimately iconoclasts, despite their significant philosophical engagement with the arts
Keywords Aesthetics, Modern
Categories
Buy the book $21.32 used (78% off)   $81.23 new (14% off)   $85.85 direct from Amazon (9% off)    Amazon page
Call number BH201.K45 2003
ISBN(s) 0521822092   9780521822091
Options
 Save to my reading list
Follow the author(s)
My bibliography
Export citation
Find it on Scholar
Edit this record
Mark as duplicate
Revision history Request removal from index
 
Download options
PhilPapers Archive


Upload a copy of this paper     Check publisher's policy on self-archival     Papers currently archived: 5,631
External links
  •   Try with proxy.
  • Through your library Configure

    Similar books and articles

    Analytics

    Monthly downloads

    Added to index

    2009-01-28

    Total downloads

    24 ( #51,534 of 548,976 )

    Recent downloads (6 months)

    1 ( #63,511 of 548,976 )

    How can I increase my downloads?


    My notes
    Sign in to use this feature


    Discussion
    Start a new thread
    Order:
    There  are no threads in this forum
    Nothing in this forum yet.

    Other forums