T.W. Adorno and the Dialectics of M ass Culture
| Abstract | While T.W. Adorno is a lively figure on the contemporary cultural scene, his thought in many ways cuts across the grain of emerging postmodern orthodoxies. Although Adorno anticipated many post-structuralist critiques of the subject, philosophy, and intellectual practice, his work clashes with the postmodern celebration of media culture, attacks on modernism as obsolete and elitist, and the more affirmative attitude toward contemporary culture and society found in many, but not all, postmodern circles. Adorno is thus a highly contradictory figure in the present constellation, anticipating some advanced tendencies of contemporary thought, while standing firming against other regnant intellectual attitudes and positions. | |||||||||
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Maggie O'Neill (ed.) (1999). Adorno, Culture, and Feminism. Sage Publications.
J. M. Bernstein (2001). Adorno: Disenchantment and Ethics. Cambridge University Press.
Babette Babich (2011). Adorno on Nihilism and Modern Science, Animals, and Jews. Symposium 15 (1):110-145.
Peter Osborne (1989). Adorno and the Metaphysics of Modernism: The Problem of a 'Postmodern' Art. In Andrew Benjamin (ed.), The Problems of Modernity. Adorno and Benjamin. Routledge.
Theodor W. Adorno (2001). Metaphysics: Concept and Problems. Stanford University Press.
Yvonne Sherratt (2002). Adorno's Positive Dialectic. Cambridge University Press.
Andrew Fagan, Theodor Adorno. Internet Encyclopedia of Philosophy.
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