David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jonathan Jenkins Ichikawa
Jack Alan Reynolds
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In Andrew Brook (ed.), Cognition and the Brain: The Philosophy and Neuroscience Movement. Cambridge: Cambridge University Press 208--238 (2005)
There you are at the opera house. The soprano has just hit her high note – a glassshattering high C that fills the hall – and she holds it. She holds it. She holds it. She holds it. She holds it. She holds the note for such a long time that after a while a funny thing happens: you no longer seem only to hear it, the note as it is currently sounding, that glass-shattering high C that is loud and high and pure. In addition, you also seem to hear something more. It is difficult to express precisely what this extra feature is. One is tempted to say, however, that the note now sounds like it has been going on for a very long time. Perhaps it even sounds like a note that has been going on for too long. In any event, what you hear no longer seems to be limited to the pitch, timbre, loudness, and other strictly audible qualities of the note. You seem in addition to experience, even to hear, something about its temporal extent
|Keywords||Experience Retention Temporality Time|
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Citations of this work BETA
Simon Prosser (2012). Why Does Time Seem to Pass? Philosophy and Phenomenological Research 85 (1):92-116.
Sean Enda Power (2015). The Psychophysics of Order and Anisotropy: Comment on Riemer. Consciousness and Cognition 38:198-204.
Charles Spence & Cesare Parise (2010). Prior-Entry: A Review. Consciousness and Cognition 19 (1):364-379.
Sean Enda Power (2012). The Metaphysics of the 'Specious' Present. Erkenntnis 77 (1):121-132.
Oliver Rashbrook (2013). The Continuity of Consciousness. European Journal of Philosophy 21 (4):611-640.
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