David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jonathan Jenkins Ichikawa
Jack Alan Reynolds
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Philosophical Quarterly 60 (239):243-263 (2010)
Apparently snobbery undermines justification for and legitimacy of aesthetic claims. It is also pervasive in the aesthetic realm, much more so than we tend to presume. If these two claims are combined, a fundamental problem arises: we do not know whether or not we are justified in believing or making aesthetic claims. Addressing this new challenge requires an epistemological story which underpins when, where and why snobbish judgement is problematic, and how appreciative claims can survive. This leads towards a virtue-theoretic account of art appreciation and aesthetic justification, as contrasted with a purely reliabilist one – a new direction for contemporary aesthetics.
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Citations of this work BETA
Jon Robson (2012). Aesthetic Testimony. Philosophy Compass 7 (1):1-10.
Delia Belleri (2014). Disagreement and Dispute. Philosophia 42 (2):289-307.
Peter Goldie (2010). Virtues of Art. Philosophy Compass 5 (10):830-839.
Matthew Kieran (2012). For the Love of Art: Artistic Values and Appreciative Virtue. Royal Institute of Philosophy Supplement 71:13-31.
Stephanie Ross (2011). Ideal Observer Theories in Aesthetics. Philosophy Compass 6 (8):513-522.
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