Antithetical Arts: On the Ancient Quarrel Between Literature and Music
OUP Oxford (2011)
| Abstract | Antithetical Arts constitutes a defence of musical formalism against those who would put literary interpretations on the absolute music canon. In Part I, the historical origins of both the literary interpretation of absolute music and musical formalism are laid out. In Part II, specific attempts to put literary interpretations on various works of the absolute music canon are examined and criticized. Finally, in Part III, the question is raised as to what the human significance of absolute music is, if it does not lie in its representational or narrative content. The answer is that, as yet, philosophy has no answer, and that the question should be considered an important one for philosophers of art to consider, and to try to answer without appeal to representational or narrative content. | |||||||||
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| ISBN(s) | 9780199596294 | |||||||||
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J. Bicknell (2010). Antithetical Arts: On the Ancient Quarrel Between Literature and Music, by Peter Kivy. Mind 119 (474):497-500.
Elisa Galgut (2011). Antithetical Arts: On the Ancient Quarrel Between Literature and Music – Peter Kivy. Philosophical Quarterly 61 (243):442-444.
L. Goehr (2010). Antithetical Arts: On the Ancient Quarrel Between Literature and Music. British Journal of Aesthetics 50 (3):313-317.
Peter Kivy (2003). Another Go at Musical Profundity: Stephen Davies and the Game of Chess. British Journal of Aesthetics 43 (4):401-411.
Kathleen Marie Higgins (2012). The Music Between Us: Is Music a Universal Language? The University of Chicago Press.
Daniel K. L. Chua (1999). Absolute Music and the Construction of Meaning. Cambridge University Press.
Arved Mark Ashby (2010). Absolute Music, Mechanical Reproduction. University of California Press.
Jenefer Robinson (ed.) (1997). Music & Meaning. Cornell University Press.
Eero Tarasti (2002). Signs of Music: A Guide to Musical Semiotics. Mouton De Gruyter.
Andy Hamilton (2007). Music and the Aural Arts. British Journal of Aesthetics 47 (1):46-63.
Peter Kivy (2009). Fictional Form and Symphonic Structure: An Essay in Comparative Aesthetics. Ratio 22 (4):421-438.
Peter Kivy (1997). Philosophies of Arts: An Essay in Differences. Cambridge University Press.
Steven P. Scher (ed.) (1992). Music and Text: Critical Inquiries. Cambridge University Press.
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