David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
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Cambridge University Press (1993)
Peter Kivy is the author of many books on the history of art and, in particular, the aesthetics of music. This collection of essays spans a period of some thirty years and focuses on a richly diverse set of issues: the biological origins of music, the role of music in the liberal education, the nature of the musical work and its performance, the aesthetics of opera, the emotions of music, and the very nature of music itself. Some of these subjects are viewed as part of the history of ideas, others as current problems in the philosophy of art. A particular feature of the volume is that Kivy avoids the use of musical notation so that no technical knowledge at all is required to appreciate his work. The essays will prove enjoyable and insightful not just to professionals in the philosophy of art and musicologists, or to musicians themselves, but also to any motivated general reader with a deep interest in music.
|Keywords||Music Philosophy and aesthetics|
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|Buy the book||$14.00 used (75% off) $37.75 new (25% off) $40.67 direct from Amazon (27% off) Amazon page|
|Call number||ML3845.K583 1993|
|ISBN(s)||0521435986 0521434629 9780521435987|
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Citations of this work BETA
Gary F. Marcus (2012). Musicality: Instinct or Acquired Skill? Topics in Cognitive Science 4 (4):498-512.
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Guy Rohrbaugh (2003). Artworks as Historical Individuals. European Journal of Philosophy 11 (2):177–205.
Andrea Borghini (2015). What Is a Recipe? Journal of Agricultural and Environmental Ethics 28 (4):719-738.
James Young (2011). The Ontology of Musical Works: A Philosophical Pseudo-Problem. Frontiers of Philosophy in China 6 (2):284-297.
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