Online research in philosophy

Theory. Moral knowledge and moral principles -- Victorian Matters. First principles and common-sense morality in Sidgwick's ethics ; Moral problems and moral philosophy in the Victorian Period -- On the historiography of moral philosophy. Moral crisis and the history of ethics ; Modern moral philosophy : from beginning to end? : No discipline, no history : the case of moral philosophy ; Teaching the history of moral philosophy -- Seventeenth- and eighteenth-century moral philosophy. The divine corporation and the history of ethics ; Natural law ; The misfortunes of virtue ; Voluntarism and the foundations of ethics ; Hume and the religious significance of moral rationalism -- On Kant. Why study Kant's Groundwork ; Autonomy, obligation, and virtue : an overview of Kant's moral philosophy ; Kant and Stoic ethics ; Toward enlightenment : Kant and the sources of darkness ; Kantian unsocial sociability : good out of evil -- Moral psychology. The active powers -- Afterword. Sixty years of philosophy in a life.

Lecture 1. What is intellectual history? -- Lecture 2. The scientific origins of the Enlightenment -- Lecture 3. The emergence of the modern intellectual -- Lecture 4. The cultural meaning of the French Revolution -- Lecture 5. The new conservatism in post-revolutionary Europe -- Lecture 6. The new German philosophy -- Lecture 7. Hegel's philosophical conception of history -- Lecture 8. The new liberalism -- Lecture 9. The literary culture of Romanticism -- Lecture 10. The meaning of the romantic hero -- Lecture 11. The Industrial Revolution and classical economics -- Lecture 12. Early critiques of industrial capitalism -- Lecture 13. Hegelianism and the young Marx -- Lecture 14. Marx's social critique -- Lecture 15. Feminism in the 19th century culture -- Lecture 16. Women's rights in a man's world -- Lecture 17. Tocqueville & Mill, rethinking liberal theory -- Lecture 18. Nationalisms and national identities -- Lecture 19. The novel as art and social criticism -- Lecture 20. Science and its literary critics -- Lecture 21. Charles Darwin and the new biology -- Lecture 22. Controversies of social Darwinism -- Lecture 23. The heroic critic in mass society -- Lecture 24. Nietzsche's critique of European culture.

This book is composed of a series of studies in the history of political thought from late antiquity to the early-eighteenth century.

Shaftesbury's deism, widely representative of eighteenth-century liberal theology, may be profitably viewed as a reaction against Puritanism in particular and Pauline theology in general. Seen from this perspective, it implies, without explicitly asserting, a reduction of moral standards from the infinite conception of moral law characteristic of Protestantism. Shaftesbury showed no appreciation of the need for redemption or forgiveness, and changed the emphasis in religion from devotion to God above all else to a purely anthropocentric morality which God merely supported. But, in spite of the crudity of his theology and the dubious implications of his ethics, Shaftesbury sought to combat some of the harmful psychological effects to which Paulinism might lead when received in the wrong spirit, and manifested genuine religious insight in this effort.

Collapsing buildings, unexpected meetings in the marketplace, monstrous births, encounters with pirates at sea - these and other unforeseen 'accidents' at the turn of the seventeenth century in England acquired unprecedented significance in the early modern philosophical and cultural imagination. Drawing on intellectual history, cultural criticism, and rhetorical theory, this book chronicles the narrative transformation of 'accident' from a philosophical dead end to an astonishing occasion for revelation and wonder in early modern religious life, dramatic practice, and experimental philosophy. Alongside texts by such canonical figures as Shakespeare and Bacon, this study draws on several lesser known authors of sensational news accounts about accidents that occurred around the turn of the seventeenth century. The result is a cultural anatomy of accidents as philosophical problem, theatrical conceit, and spiritual landmark.

Shaftesbury's Characteristics of Men, Manners, Opinions, Times was first published in 1711. It ranges widely over ethics, aesthetics, religion, the arts (painting, literature, architecture, gardening), and ancient and modern history, and aims at nothing less than a new ideal of the gentleman. Together with Locke's Essay Concerning Human Understanding and Addison and Steele's Spectator, it is a text of fundamental importance for understanding the thought and culture of Enlightenment Europe. This volume presents a new edition of the text together with an introduction, explanatory notes and a guide to further reading.

This book offers a detailed study of political argument in early eighteenth-century England, a time in which the politics of virtue were vigorously pursued - and just as vigorously challenged. In tracing the emergence of a privately orientated conception of civic virtue from the period’s public discourse, this book not only challenges the received notions of the fortunes of virtue in the early modern era but provides a promising critical perspective on the question of what sort of politics of virtue is possible or desirable today.

This is the first study to recognise the broad impact of opera in early-modern French culture._Downing A. Thomas considers the use of operatic spectacle and music by Louis XIV as a vehicle for absolutism; the resistance of music to the aesthetic and political agendas of the time; and the long-term development of opera in eighteenth-century humanist culture. He argues that French opera moved away from the politics of the absolute monarchy in which it originated to address Enlightenment concerns with sensibility and feeling. The book combines close readings of significant seventeenth-century and eighteenth-century operatic works, circumstantial writings and theoretical works on theatre and opera, together with a measure of reception history. Thomas examines key works by Lully, Rameau, and Charpentier, among others, and extends his reach from the late seventeenth century to the end of the eighteenth.

Adding to A.O. Aldridge’s 1951 list, this list of British eighteenth-century references to Shaftesbury provides further evidence that the philosophy of Shaftesbury and Hutcheson is an important rival to Lockean empiricism during the early and middle decades of the century. The peak of Shaftesbury’s influence occurs during the 1740’s and 1750’s when the deist controversy was at its height. A more conservative political and religious climate of opinion after 1759 is one reason for the decline of Shaftesbury’s reputation as a philosopher. Another is Shaftesbury’s displacement by Hume as an important enemy of orthodox Christianity. During the 1760’s and later, Hume is attacked by the Scottish “common sense” philosophers, who find anticipations of Humean scepticism in Locke and Berkeley (but not in Shaftesbury), thereby unwittingly helping to provide the foundation for the eventual establishment of Locke, Berkeley, and Hume as the “big three” of eighteenth-century philosophy.