Philosophy among the artistae: A late-medieval picture of the limits of rational inquiry

Abstract
It is a commonplace in the historiography of medieval philosophy that theology represents philosophy's culmination in the later Middle Ages, and specifically, that it is in the work of theologians and theologically-trained Arts Masters that we find philosophy in its purest and most advanced form. By comparison, the philosophy produced by thinkers who worked exclusively or primarily in the Faculty of Arts is seen as inferior -- by which is usually meant that it is shallow, unsophisticated, immature, and driven by disparate curricular and pedagogical concerns rather than by the more single-minded commitment to rationally articulate that sacred doctrine which, as Aquinas says, "extends [by virtue of its oneness] to things which belong to different philosophical sciences.".
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