On the "aesthetic senses" and the development of fine arts
Journal of Aesthetics and Art Criticism 34 (1):67-71 (1975)
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W. Lamb (1919). Catalogue of Arretine Pottery in the Museum of Fine Arts, Boston Catalogue of Arretine Pottery in the Museum of Fine Arts, Boston. By Professor George H. Chase, Ph.D. Quarto. Pp. Xii + 112, with Thirty Plates and Two Figures. Boston and New York: Houghton Mifflin Company, 1916. $10. [REVIEW] The Classical Review 33 (3-4):78-79.
C. E. Emmer (2001). The Senses of the Sublime: Possibilities for a Non-Ocular Sublime in Kant's Critique of Judgment. In Volker Gerhardt, Rolf Horstmann & Ralph Schumacher (eds.), Kant und die Berliner Aufklärung: Akten des IX. Internationalen Kant-Kongresses, Vol. 3. Walter de Gruyter.
David Carr (2010). Dangerous Knowledge: On the Epistemic and Moral Significance of Arts in Education. Journal of Aesthetic Education 44 (3):1-15.
Michael J. Demoor (2006). The Philosophy of Art in Reid's Inquiry and Its Place in 18th-Century Scottish Aesthetics. Journal of Scottish Philosophy 4 (1):37-49.
Paul Guyer (2011). Gerard and Kant: Influence and Opposition. Journal of Scottish Philosophy 9 (1):59-93.
H. Walter Ott (1981). The Role of the Fine Arts in the Development of Time Consciousness. Educational Theory 31 (2):125-136.
Fiona Macpherson (2011). Taxonomising the Senses. Philosophical Studies 153 (1):123-142.
Salim Kemal & Ivan Gaskell (eds.) (1993). Explanation and Value in the Arts. Cambridge University Press.
James I. Porter (2009). Is Art Modern? Kristeller's ‘Modern System of the Arts’ Reconsidered. British Journal of Aesthetics 49 (1):1-24.
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