Subjectivity rampant! Music, hermeneutics and history
In Martin Clayton, Trevor Herbert & Richard Middleton (eds.), The Cultural Study of Music: A Critical Introduction. Routledge (2003)
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Anthony C. Thiselton (2006). Thiselton on Hermeneutics: The Collected Writings of Anthony Thiselton. Ashgate Pub..
Kevin Barry (1987). Language, Music, and the Sign: A Study in Aesthetics, Poetics, and Poetic Practice From Collins to Coleridge. Cambridge University Press.
Iannis Xenakis (1971). Formalized Music. Bloomington,Indiana University Press.
Kim Atkins (ed.) (2005). Self and Subjectivity. Blackwell Pub..
Rita Steblin (2002). A History of Key Characteristics in the Eighteenth and Early Nineteenth Centuries. University of Rochester Press.
Jonathan Matusitz & Eric Kramer (2011). A Critique of Bernstein's Beyond Objectivism and Relativism: Science, Hermeneutics, and Praxis. Poiesis and Praxis 7 (4):291-303.
Sebastian Luft (2007). The Subjectivity of Effective History and the Suppressed Husserlian Elements in Gadamer's Philosophical Hermeneutics. Idealistic Studies 37 (3):219-254.
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