The nature and origins of musical postmodernism
In Judith Irene Lochhead & Joseph Henry Auner (eds.), Postmodern Music/Postmodern Thought. Routledge (2002)
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Lelio Camilleri (1992). On Music Perception and Cognition: Modularity, Structure, and Processing. Minds and Machines 2 (4):365-377.
Peter Kivy (1993). The Fine Art of Repetition: Essays in the Philosophy of Music. Cambridge University Press.
Holly Watkins (2011). Metaphors of Depth in German Musical Thought: From E. T. A. Hoffmann to Arnold Schoenberg. Cambridge University Press.
Ben Caplan & Carl Matheson (2006). Defending Musical Perdurantism. British Journal of Aesthetics 46 (1):59-69.
Andrew Kania (2008). Piece for the End of Time: In Defence of Musical Ontology. British Journal of Aesthetics 48 (1):65-79.
Michael Krausz (ed.) (1993). The Interpretation of Music: Philosophical Essays. Oxford University Press.
Nurbay Irmak (forthcoming). Software is an Abstract Artifact. Grazer Philosophische Studien.
Jean Jacques Nattiez (2004). The Battle of Chronos and Orpheus: Essays in Applied Musical Semiology. Oxford University Press.
Callum G. Brown (2005). Postmodernism for Historians. Pearson/Longman.
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