David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
In Riccardo Manzotti (ed.), Situated Aesthetics: Art Beyond the Skin. Imprint Academic (forthcoming)
This chapter offers the beginning of an enactive account of auditory experience—particularly the experience of listening sensitively to music. It investigates how sensorimotor regularities grant perceptual access to music qua music. Two specific claims are defended: (1) music manifests experientially as having complex spatial content; (2) sensorimotor regularities constrain this content. Musical content is thus brought to phenomenal presence by bodily exploring structural features of music. We enact musical content.
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Joel Krueger (2009). Enacting Musical Experience. Journal of Consciousness Studies 16 (2-3):98-123.
Mark DeBellis (1991). The Representational Content of Musical Experience. Philosophy and Phenomenological Research 51 (June):303-24.
Philip Dorrell, Looking for a Win/Win Solution to the War Between "Premium Content" and Digital Freedom.
Ruth Herbert (2011). Everyday Music Listening: Absorption, Dissociation and Trancing. Ashgate Pub. Co..
Lydia Goehr (1998/2002). The Quest for Voice: On Music, Politics, and the Limits of Philosophy: The 1997 Ernest Bloch Lectures. Oxford University Press.
Peter Kivy (2011). Antithetical Arts: On the Ancient Quarrel Between Literature and Music. Oup Oxford.
Kathleen Marie Higgins (2012). The Music Between Us: Is Music a Universal Language? The University of Chicago Press.
Joel Krueger (forthcoming). Empathy, Enaction, and Shared Musical Experience. In Tom Cochrane, Bernardino Fantini & Klaus Scherer (eds.), The Emotional Power of Music: Multidisciplinary Perspectives on Musical Expression, Arousal and Social Control. Oxford University Press.
Hanne Appelqvist (2011). Form and Freedom: The Kantian Ethos of Musical Formalism. Nordic Journal of Aesthetics 40 (40-41):75-88.
Aaron Ridley (2007). Musical Expression. Expression in Music / Derek Matravers ; Explaining Musical Experience / Paul Boghossian ; Persona Sometimes Grata : On the Appreciation of Expressive Music. In Kathleen Stock (ed.), Philosophers on Music: Experience, Meaning, and Work. Oxford University Press.
N. Zangwill (2012). Listening to Music Together. British Journal of Aesthetics 52 (4):379-389.
Joseph Nathan Straus (2011). Extraordinary Measures: Disability in Music. Oxford University Press.
Stephen Davies (2007). Musical Ontology. Sounds, Instruments and Works of Music / Julian Dodd ; Doing Justice to Musical Works / Michael Morris ; Versions of Musical Works and Literary Translations. In Kathleen Stock (ed.), Philosophers on Music: Experience, Meaning, and Work. Oxford University Press.
Jerrold Levinson (1997). Music in the Moment. Cornell University Press.
Erich Sorantin (1932). The Problem of Musical Expression. Nashville, Tenn.,Marshall & Bruce Co..
Added to index2011-01-21
Total downloads396 ( #1,017 of 1,696,650 )
Recent downloads (6 months)92 ( #1,054 of 1,696,650 )
How can I increase my downloads?