David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Abstract This thesis is an investigation of Maurice Merleau-Ponty's notion of style via the individual, artwork, and the world. It aims to show that subject-object, self-other, and perceiver-perceived are not contrary, but are reverses of one another each requiring the other for meaningful experience. In experience, these cognitive contraries are engaged in relationships of communication and communion that render styles of interaction by which we have/are a world. A phenomenological investigation of Merleau-Ponty's notion of style via existential meaningfulness, corporeal and worldly understanding, stylistic nuances (with respect to the individual, the artwork, and the world), and the existential temporal dynamic provide the foundation for understanding our primordial connection with the world. This phenomenological unpacking follows Merleau-Ponty's thought from Phenomenology of Perception to "Cezanne's Doubt" and "Eye and Mind" through The Visible and the Invisible
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library||
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Sean D. Kelly (2005). Seeing Things in Merleau-Ponty. In C. Tarman (ed.), The Cambridge Companion to Merleau-Ponty. Cambridge.
Martín Plot (2012). Our Element: Flesh and Democracy in Merleau-Ponty. [REVIEW] Continental Philosophy Review 45 (2):235-259.
Joel Smith (2005). Merleau-Ponty and the Phenomenological Reduction. Inquiry 48 (6):553-571.
Florentien Verhage, The Rhythm of Embodied Encounters: Intersubjectivity in Merleau-Ponty's Phenomenology.
Sara Heinämaa (1999). Merleau-Ponty's Modification of Phenomenology: Cognition, Passion and Philosophy. Synthese 118 (1):49-68.
Anthony J. Steinbock (1987). Merleau-Ponty's Concept of Depth. Philosophy Today 31 (4):336-351.
Dorothea Olkowski (2010). In Search of Lost Time, Merleau-Ponty, Bergson, and the Time of Objects. Continental Philosophy Review 43 (4):525-544.
David Johnson (2009). Merleau-Ponty and the Other World of Painting: A Response. Journal of the British Society for Phenomenology 40 (1):89-97.
Margaret H. Freeman, Crossing the Boundaries of Time: Merleau-Ponty's Phenomenology and Cognitive Linguistic Theories.
Linda Singer (1981). Merleau-Ponty on the Concept of Style. Man and World 14 (2):153-163.
Added to index2010-07-21
Total downloads24 ( #71,738 of 1,101,156 )
Recent downloads (6 months)2 ( #177,254 of 1,101,156 )
How can I increase my downloads?