Negotiating the hybrid: art, theory and genetic technologies [Book Review]

AI and Society 20 (1):49-62 (2006)
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Abstract

Over the past decade artists have increasingly turned to science in order to investigate technology’s effect. The move from hardware-based technologies to live organisms as media, raises ethical issues that the broader art community is addressing. This paper tracks the history of instrumental disengagement to determine when and how the gradual codification of life contributed to the eventual use of live organisms in art practice

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References found in this work

Sources of the self: the making of the modern identity.Charles Taylor - 1989 - Cambridge, Mass.: Harvard University Press.
Sources of the Self: The Making of the Modern Identity.Charles Taylor - 1989 - Cambridge, Mass.: Cambridge University Press.
Sources of the Self: The Making of Modern Identity.Charles Taylor - 1994 - Philosophy and Phenomenological Research 54 (1):187-190.

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