Review: Brian G. Henning. The ethics of creativity: Beauty, morality and nature in a processive cosmos. University of pittsburgh press, 2005 [Book Review]

Transactions of the Charles S. Peirce Society 42 (3):450-454 (2006)
  Copy   BIBTEX

Abstract

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Ethics of Creativity: Beauty, Morality and Nature in a Processive CosmosJohn W. LangoBrian G. Henning The Ethics of Creativity: Beauty, Morality and Nature in a Processive Cosmos University of Pittsburgh Press, 2005. 250 + xii pp.The aim of this interesting but flawed book by Brian Henning may be related through some remarks about the terms in its title.1 The term "creativity" stems from the most basic category in Whitehead's metaphysics in Process and Reality, "The Category of the Ultimate." The term "processive cosmos" echoes the full title of Whitehead's magnum opus: Process and Reality: An Essay in Cosmology. For Whitehead's metaphysics is both a philosophy of process and a philosophical cosmology. Thus, as the term "ethics" implies, Henning's book "presents a Whiteheadian ethic" (p. 8), an ethics grounded in Whitehead's metaphysics. This ethics is grounded particularly in Whitehead's axiology of aesthetic value (hence the term "beauty"), and it includes an environmental ethics (hence the linkage of the terms "morality" and "nature"). The inclusion of environmental ethics is central to the book's aim:If we are to have any hope of reversing the potentially catastrophic destruction and consumption of our natural environment, we must devise an ethical theory grounded in an axiology that acknowledges that every individual—from the most insignificant flicker of existence at the opposite end of the universe to complex individuals such as ourselves—has value not only for itself, but for others, and for the whole of reality.(p. 2)"The aim of this project, then, is," according to Henning's own summary, "to develop and defend a holistic, organic ethical theory grounded firmly in Whitehead's aesthetico-metaphysics of process" (p. 3).Indeed, Henning's project is worthwhile. Traditional ethical theory should be enlarged to include environmental ethics. Insofar as an ethics can be grounded on a metaphysics, it is important to explore how an ethics can be grounded on Whitehead's metaphysics. Since Whitehead's metaphysics is a philosophical cosmology, it is especially suitable as a grounding for an environmental ethics. Accordingly, in reading Henning's book, process philosophers should encounter many interesting ideas. [End Page 450]Nonetheless, the book has some significant flaws. First, there is a problem of audience. In addition to process philosophers, Henning wants his book to be accessible to philosophers who are not conversant with Whitehead's metaphysics, as the following passage evidences:Anyone seeking to develop a moral philosophy based on Whitehead's work faces many challenges. One obvious reason for the relative lack of attention given to Whitehead's work by mainstream environmental and moral philosophers is the density and abstruseness of the texts themselves. Coupled with the generally unfavorable view of metaphysical speculation among most contemporary ethicists, this has led many to admire Whitehead's work from afar. Given this, a secondary, though not unimportant, goal of this project is to show the value of Whitehead's complex process metaphysics for moral and environmental philosophy by presenting it in language that strives for clarity and seeks to do justice to the richness and nuances of his thought.(p. 8)Unfortunately, in the judgment of this reviewer, this secondary goal is not accomplished. The first chapter of Henning's book ("From Mechanism to Organism") contains an exposition of Whitehead's metaphysics (pp. 27–37). But this exposition is far too brief. Whitehead's technical terms are not explained sufficiently, and quotations from his writings are used too frequently. In subsequent chapters, an understanding of his metaphysics is presupposed. For example, the second chapter ("An Ecstatic Axiology") defends "an alternative to the classical interpretation of Whitehead's metaphysics" (p. 42), namely, "the ecstatic interpretation" (p. 51). (The classical interpretation is exemplified by Ivor Leclerc and William Christian, and the alternative interpretation by Jorge Nobo and Judith Jones.) Specialists in Whitehead should find this second chapter accessible, but nonspecialists are likely to find it unenlightening. Before attempting to read Henning's interesting book, I would encourage mainstream environmental and moral philosophers to study Whitehead's metaphysics from other sources.Acceptance of Henning's aim of developing an ethics grounded in Whitehead's metaphysics is impeded by "the...

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,349

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

The birth of the cosmos.Paul Davies - 1995 - In P. C. W. Davies & Jill Gready (eds.), God, Cosmos, Nature, and Creativity. Scottish Academic Press.
Creativity.Margaret A. Boden - 1995 - In P. C. W. Davies & Jill Gready (eds.), God, Cosmos, Nature, and Creativity. Scottish Academic Press.

Analytics

Added to PP
2010-09-02

Downloads
38 (#408,165)

6 months
8 (#352,434)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

John Lango
Hunter College (CUNY)

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references