David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
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Hypatia 5 (2):91 - 106 (1990)
Feminist analyses of the roles gender has played in art lead to an alternative theory that emphasizes art's complex interactions with culture(s) rather than the autonomy within culture claimed for it by formalism. Focusing on the visual arts, I extrapolate the new theory from feminist research and compare it with formalist precepts. Sharing Arthur Danto's concern that art has been disenfranchised in the twentieth century by its preoccupation with theory, I claim that feminist thought re-enfranchises art by revisioning its relationship to its contexts.
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References found in this work BETA
Arthur Danto (1964). The Artworld. Journal of Philosophy 61 (19):571-584.
Arthur Coleman Danto (1986). The Philosophical Disenfranchisement of Art. Columbia University Press.
Arnold Berleant (1986). The Historicity of Aesthetics — I. British Journal of Aesthetics 26 (2):101-111.
W. K. Wimsatt (1955). The Verbal Icon. Journal of Aesthetics and Art Criticism 13 (3):414-414.
Citations of this work BETA
Amy Mullin (2003). Feminist Art and the Political Imagination. Hypatia 18 (4):189-213.
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