David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
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Minds and Machines 2 (4):345-363 (1992)
Tone semantics is a psychoacoustic-based theory of gestalt perception that deals with tone perception and the assignment of functional relationships between tones in the musical context. The theory provides an operational account of semantics in terms of complex dynamic systems theory and forms the basis for non-symbolic research in music imagination. This is illustrated by an application in the automatic recognition of tone centers from acoustical input. An analysis of the basic concepts and related epistemological and methodological principles reveals a promising paradigm for music research.
|Keywords||Music recognition cognitive musicology music AI|
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References found in this work BETA
Jerry A. Fodor (1981). Representations: Philosophical Essays on the Foundations of Cognitive Science. Mit Press.
Citations of this work BETA
Ian Cross (2013). “Does Not Compute”? Music as Real-Time Communicative Interaction. AI and Society 28 (4):415-430.
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