David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
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Jerrold Levinson (ed.)
Cambridge University Press (1998)
This major collection of essays stands at the border of aesthetics and ethics and deals with charged issues of practical import: art and morality, the ethics of taste, and censorship. As such its potential interest is by no means confined to professional philosophers; it should also appeal to art historians and critics, literary theorists, and students of film. Prominent philosophers in both aesthetics and ethics tackle a wide array of issues. Some of the questions explored in the volume include: Can art be morally enlightening and, if so, how? If a work of art is morally better does that make it better as art? Is morally deficient art to be shunned, or even censored? Do subjects of artworks have rights as to how they are represented? Do artists have duties as artists and duties as human beings, and if so, to whom? How much tension is there between the demands of art and the demands of life?
|Keywords||Aesthetics Ethics Art Moral and ethical aspects|
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|Call number||BH39.A288 1998|
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Citations of this work BETA
Aaron Ridley (forthcoming). Why Ethics and Aesthetics Are Practically the Same. Philosophical Quarterly:pqv069.
Matthew Kieran (2006). Art, Morality and Ethics: On the (Im)Moral Character of Art Works and Inter-Relations to Artistic Value. Philosophy Compass 1 (2):129–143.
Michael Wreen (forthcoming). Creativity. Philosophia:1-23.
D. M. Yeager (2009). Of Eagles and Crows, Lions and Oxen: Blake and the Disruption of Ethics. Journal of Religious Ethics 37 (1):1-31.
Steven A. Jauss (2008). Affective Responses, Normative Requirements, and Ethical-Aesthetic Interaction. Philosophia 36 (3):285-298.
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