The Fictional Character of Pornography

In Hans Maes (ed.), Pornographic Art and the Aesthetics of Pornography. Palgrave Macmillan. 100-118 (2013)
Abstract
We refine a line of feminist criticism of pornography that focuses on pornographic works' pernicious effects. A.W. Eaton argues that inegalitarian pornography should be criticized because it is responsible for its consumers’ adoption of inegalitarian attitudes toward sex in the same way that other fictions are responsible for changes in their consumers’ attitudes. We argue that her argument can be improved with the recognition that different fictions can have different modes of persuasion. This is true of film and television: a satirical movie such as Dr. Strangelove does not morally educate in the same way as a realistic series such as The Wire. We argue that this is also true of pornography: inegalitarian depictions of sex are not invariably responsible for consumers' adoption of inegalitarian attitudes toward sex in reality. Given that pornographic works of different genres may harm in different ways, different feminist criticisms are appropriate for different genres of pornography.
Keywords pornography  fiction  narrative  film  moral education  persuasion  genre
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Citations of this work BETA
Shen-yi Liao (2013). Moral Persuasion and the Diversity of Fictions. Pacific Philosophical Quarterly 94 (3):269-289.
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Shen-yi Liao (2013). Moral Persuasion and the Diversity of Fictions. Pacific Philosophical Quarterly 94 (3):269-289.
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