Lessons from the dancing ground to the studio: Implications of pueblo indian dance for modern dance
Journal of Aesthetics and Art Criticism 32 (3):397-407 (1974)
| Abstract | This article has no associated abstract. (fix it) | |||||||||
| Keywords | No keywords specified (fix it) | |||||||||
| Categories | ||||||||||
| Options |
|
|||||||||
Download options| PhilPapers Archive |
Upload a copy of this paper Check publisher's policy on self-archival Papers currently archived: 5,679 |
| External links |
 |
| Through your library | Configure |
Similar books and articlesBarbara Montero (2012). Practice Makes Perfect: The Effect of Dance Training on the Aesthetic Judge. Phenomenology and the Cognitive Sciences 11 (1):59-68.
Emily Cross & Luca Ticini (2012). Neuroaesthetics and Beyond: New Horizons in Applying the Science of the Brain to the Art of Dance. Phenomenology and the Cognitive Sciences 11 (1):5-16.
Eluned Summers-Bremner (2000). Reading Irigaray, Dancing. Hypatia 15 (1):90-124.
N. S. Thompson & Jaan Valsiner (2002). Doesn't a Dance Require Dancers? Behavioral and Brain Sciences 25 (5):641-642.
Bill Martin (2010). A New Chapter in the Politics of Irony: Cynthia Willett's Irony in the Age of Empire. Journal of Speculative Philosophy 24 (1):78-84.
Betty Block & Judith Lee Kissell (2001). The Dance: Essence of Embodiment. Theoretical Medicine and Bioethics 22 (1).
Kimerer L. LaMothe (2004). Between Dancing and Writing: The Practice of Religious Studies. Fordham University Press.
Analytics
Monthly downloads |
Added to index2009-01-28Total downloads10 ( #106,301 of 549,088 )Recent downloads (6 months)1 ( #63,317 of 549,088 )How can I increase my downloads? |
My notes
Discussion
